Okay. Bhagyaraj and Radhika in a nonetheless from ‘Dhavani Kanavugal’.
| Photograph Credit score: The Hindu Archives
Earthy humour, man-woman dynamics, and rooted tales outlined Okay. Bhagyaraj’s legacy. The ace director and actor, who handed away on Saturday (June 27, 2026), was Bharathiraja’s favorite assistant director. The guru handed away on June 10, and the disciple adopted go well with after a fortnight.
As a bespectacled hero, Bhagyaraj lower via the preconceived notions of how a celluloid determine ought to seem. He was the quintessential man subsequent door, typically touchdown in a pickle after which discovering endearing methods to extricate himself, whereas additionally providing a social message via his movies.
Having labored as an assistant to Bharathiraja’s 16 Vayadhinile in 1977, Bhagyaraj caught the attention of the lead stars Kamal Haasan and Rajinikanth. “Bhagyaraj was the one who made me utter the long-lasting dialogue ‘idhu yeppadi irukku (how is that this)’ with a specific tonal variation,” Mr. Rajinikanth mentioned not too long ago. “At the moment, we weren’t totally conscious of the wealthy expertise that was current in that movie,” Mr. Haasan acknowledged, referring to Bhagyaraj.
After studying the ropes from Bharathiraja, Bhagyaraj branched out as an impartial director and infrequently solid himself because the hero. He might snort at himself, a uncommon attribute in an business the place self-obsession is presumed to be the norm. His capability to raise a narrative into an engrossing screenplay has all the time been lauded.
Mani Ratnam rated Bhagyaraj’s Andha Yezhu Naatkal as one of many best screenplays ever written. The story a few musician from Palakkad, searching for contemporary pastures in Madras, operating into his misplaced love, and assembly her perceptive husband, was offered via a bitter-sweet narrative. The 1981 flick is a basic.
If many stars had their distinctive fan-bases, starting from college-goers to senior residents, Bhagyaraj drew within the ladies. Homemakers discovered time to catch his hits, normally the matinee present after ending their family chores. Be it Mundhanai Mudichu or Chinna Veedu, Bhagyaraj saved the box-office buzzing. He launched actress Urvashi and in his movies, ladies have been by no means props, that they had company and spoke their minds.
He even directed Amitabh Bachchan’s Aakhree Raasta, a remake of Oru Kaidhiyin Diary, helmed by Bharathiraja and starring Mr. Haasan. With self-deprecatory humour, Bhagyaraj as soon as talked about how he needed to resort to damaged English whereas coping with the Bollywood’s nice star.
A multifaceted determine
The multifaceted abilities that Bhagyaraj possessed, starting from writing to appearing, impressed many others to comply with go well with, notably R. Parthiban and Pandiarajan. In Kerala, Balachandra Menon was also known as Malayalam’s Bhagyaraj, as he too wrote, directed,. and acted.
Even at his peak, Bhagyaraj discovered time to direct Vijayakanth in Chokka Thangam. Later, he grew to become a personality actor, typically lending believability to the roles he essayed. Hailing from Erode district, Bhagyaraj got here up with cheeky one-liners, one thing that additionally outlined his different buddies from the identical Kongunadu area, together with Sathyaraj and Goundamani.
A central determine within the Nineteen Eighties batch reunions that Suhasini and Lissy typically organised, Bhagyaraj outlined a sure period in Tamil filmdom that was all about nuance. His departure is an enormous loss to Tamil’s inventive house.
Revealed – June 27, 2026 01:12 pm IST
